1 40 4 https://d1y502jg6fpugt.cloudfront.net/32745/archive/files/5e778d6e064ffba7dc2c74194af654ff.pdf?Expires=1779926400&Signature=N-BrEcW0Y9wTpTvNeerz%7ENF8t1VncVS-TEiI8MdyeXOcLX7KwHRxVvqBXWvmRAYVcwKAAD7vvl9GChnptOZMDeh2DFg2OiHmf1OXgfXh2kG02lXO1ZS7OYTtK5vp8aU290wYa4UdJF55CB8bCKgFy6PVWjLN-fTMrt6icoNZUUY96udxIFAjBpb23L6I%7EfL0DdPVRq2g0dt9AqXa8GiIfJOCEcw8pHuDCdcWG58O7ebNZLzmxugjYgUYgWS2mGp60Qt9hj2kScZakhHQaKGeApqde6vhjXf7qIY7e06iVYQoFRhWMrWuR3OlRr9W3YTQQSKGrgC07pQ2xJQa5aBJ4w__&Key-Pair-Id=K6UGZS9ZTDSZM 36e172ab4f0e44e4a3e31babb8ceef36 PDF Text Text ���������������������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catherine Pozzo di Borgo Collection Subject The topic of the resource King Mob, Angry Brigade, RSSF Description An account of the resource Materials donated by Catherine Pozzo di Borgo to MayDay Rooms. The collection includes a material by King Mob and other British situationists, ephemera the LSE occupation in 1969, items around the Angry Brigade trial, and more. All materials are digitised and available for download. Format The file format, physical medium, or dimensions of the resource Various Date A point or period of time associated with an event in the lifecycle of the resource 1960s-1970s Creator An entity primarily responsible for making the resource Various Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Catherine Pozzo di Borgo Format The file format, physical medium, or dimensions of the resource Catalogue Source A related resource from which the described resource is derived MayDay Rooms Creator An entity primarily responsible for making the resource Antiuniversity of London Title A name given to the resource Antiuniversity of London, Catalogue of Second Quarter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Scratch Orchestra Description An account of the resource The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye. Date A point or period of time associated with an event in the lifecycle of the resource 1969- Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scratch Orchestra Title A name given to the resource Matchless Recordings Catalogue Version 2 Creator An entity primarily responsible for making the resource Eddie Prevost Format The file format, physical medium, or dimensions of the resource Catalogue Source A related resource from which the described resource is derived Archive Storage Room Stefan Szczelkun Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Scratch Orchestra Description An account of the resource The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye. Date A point or period of time associated with an event in the lifecycle of the resource 1969- Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Scratch Orchestra Title A name given to the resource Art Spectrum (London) Catalogue Creator An entity primarily responsible for making the resource Various Format The file format, physical medium, or dimensions of the resource Catalogue Source A related resource from which the described resource is derived Archive Storage Room Stefan Szczelkun Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Corners Subject The topic of the resource Film-making Description An account of the resource In 1973, behind a shopfront at 113 Roman Road, London E1, four young filmmakers – Joanna Davis, Mary Pat Leece, Ronald Peck and Wilf Thust – set up a cinema and production studio with the aim of introducing “films and filmmaking to those who had previously been excluded from the whole practice”. In the context of a polarised and politically charged Bethnal Green of the 1970s, many local children and young adults found at Four Corners – and in Wilf Thust’s workshops in particular – a sanctuary where they could explore forms of self-representation and develop vocabularies of commonality, resistance and dissent. These sentiments are shared by MayDay Rooms and since late 2013, Wilf has ‘reopened the account’ – together with some of those involved in the 1970’s workshops and many others – making collaborative use of his film output, notebooks, and photographs. This process, which takes the form of screenings, meetings and workshops, will continue over the next few years. Date A point or period of time associated with an event in the lifecycle of the resource 1973- Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four Corners- Where is the Gaiety? Title A name given to the resource East End on Screen: A Catalogue of East London Film and Video Creator An entity primarily responsible for making the resource Various Format The file format, physical medium, or dimensions of the resource Catalogue Source A related resource from which the described resource is derived Archive Storage Room Wilf Thust